22 August 2008

NICE UP – Blud & M.I.A. / Witness The Flava – 2008 – Single review


NICE UP – Blud & M.I.A. / Witness The Flava – 2008 – Single review
RATING: 4/5

Freestyle Records head honcho, DJ Shepdog, is the man behind the Nice Up! series of quality mash-ups and never one to shy away from splicing obscure brilliance to the blatantly obvious. Thus it is that we finding M.I.A. riding her PPRPLNS vocal atop the instrumental of The Nextmen’s 2005 dancehall riddim monster Blood And Fire and a family pack of guest rappers off Craig Mack’s Flava In Ya Ear sitting heavily (if not exactly pretty) on Roots Manuva’s bomb Witness 1 Hope. There’s absolutely no doubt that both of these are 100% guaranteed to get bodies sweaty, but I just can’t help reflecting that in this case both The Nextmen’s vocal original and Roots Manuva’s vocal original were equally capable and the better tracks.
Out now on Nice Up!.
LINKS
Listen to Nice Up – Blud & Mia
Nice Up! - Myspace

SEARCH MONKEYBOXING EMPIRE REVIEWS

BREAKESTRA – Lowdown Stank/ Miss Funky Sole – 2008 – Single review/ Free download


BREAKESTRA – Lowdown Stank/ Miss Funky Sole – 2008 – Single review/ Free download
RATING: 3/5

L.A.’s retro crew release a double slice of funky action and this week they are mostly being…James Brown. Yep Mixmaster Wolf is on vocals again which means there’s plenty of ‘uhhh’ and ‘huh’ although, personally, I always feel he could do with a bit more ‘owww’ and crucially a bit more range in his singing. Miss Funky Sole’s homage to (I imagine) some sexy be-afro’d diva is all rolling break, horns and organs while Lowdown Stank has…er…a rolling break along the lines of former Breakestra high point Stand Up/ Take My Time - which frankly you’d be better off seeking out. It’s alright but it ain’t nothing you ain’t heard before. But don’t take the monkey’s word for it – if you strike while the iron is hot (i.e. in the next five days or so) you can lift an mp3 of both tracks from Breakestra’s myspace – though as the band warn you these are tasters and – ‘Stank is 112 kpps while Miss Funky Sole is a bizarrely quieter 192 kbps. Go figure. And listen.
Out now on Now Again U.S.
LINKS
Listen/ Download Lowdown Stank/ Miss Funky Sole
Breakestra - Myspace

21 August 2008

FLYING SAUCER ROCK & ROLL (Richard Blandford) – 2008 – Book review


FLYING SAUCER ROCK & ROLL (Richard Blandford) – 2008 – Book review
Alright – so strictly speaking - this isn’t a music review - but it is a review of a novel about a band, although strictly speaking, the band is not what you’d really call funk, soul or hip hop either. Alright. They’re metal. At least at first. But hey - the Monkey likes to rock occasionally and used to be down with both Eric B & Rakim and Jane’s Addiction - back at the very start of the nineties when Flying Saucer Rock & Roll, Richard Blandford’s second novel, begins.

Looking back, it was a good time to be into music, hip hop was in a golden era, and alternative rock was exploding all over the mainstream’s face like a giant grunge money-shot and if you lived in suburbia (in this case the fictional suburb of Quirely in the fictional southern town of Sholeham, “…remarkable in that it’s spawned virtually nothing of note, nobody who’s achieved anything in any field. Not even a decent serial killer…” ) as narrator Chris does – it’s one of the few things that made suburban life bearable. And make no mistake this novel is as much about teenagers and suburbia as it is about music. For all Chris’s self-deprecatingly humourous rhetoric about how his teenage years in ‘the band’ were a golden age (and you get the impression that the character consciously believes this at least), he’s not fooling anyone and his ‘golden age’ comes across as time spent with a group of people of who were for the most part pathetically and even casually cruel to each other in a place notable only for its hellish tedium. A fairly accurate portrayal of suburban teenage existence then.

More character than plot driven (though this is not a criticism) the plot such as it is revolves around the relationship between Chris and the person who was initially his best mate – the almost tragic character of Neil who drifts off and onto centre stage throughout the book. Basically Chris is an awkward teenager and Neil (while intelligent) is an increasing embarrassment who likes Morrissey and is therefore probably gay. Chris decides he needs to position himself, “at the most advantageous point in the secondary school hierarchy,”and makes a point of learning guitar and hanging out with Ben who is into metal. Before long Neil is forgotten – although not before he has committed social suicide with a precocious stab at performance art at the school talent show involving ‘singing’ and ‘playing’ his keyboard – “in the end,…[they]…had to literally pull him off stage, his legs flailing. There was a round of applause. It was for the Deputy Head”. Meanwhile violent, speccy bastard Thomas Depper, (who’s so hard he’s into INXS for fuck’s sake) has decided that Chris and Ben (although basically a pair of cunts) can play in his band. Well, I say his band – there’s the mellow drummer Jase of course – one of the few characters during the course of the novel with any strength of character. Eventually realising that instrumental covers of Need You Tonight aren’t really going to nail them any gigs (and therefore fame, money or girls or at least the chance to touch “a girls’ tit”) they decide they need a vocalist. And so it is that a phonecall or so later, Neil is in the band. And then Thomas Depper gets himself a girlfriend, the spiteful and manipulative Jenny who takes an instant and epic dislike to Neil with sadistic consequences.

But, like I said, it’s the characters that drive this narrative and if Neil’s precocity occasionally seems a little too over the top, Thomas Depper’s tyrannical hold over his ‘friendship’ group is both colossal and hilarious. Even though most of his mates have girlfriends who are filthy enough to go ‘all the way’ with them, they’re all (apart from Jase) too scared of his violent nature to shag anyone until he has, and so it’s a massive relief when Jenny finally lets him. Then there’s the hilarious rivalry between Chris’s band Animal Magnets and The Horned Gods – a group of jumped up little kids a few years below Chris in school who think they’re better than Animal Magnets because…well, they kind of are. And finally there’s Chris’s guilt. Guilt that he didn’t stand on his own two feet more often. Guilt that he had to go along with the crowd. Guilt that he didn’t do more to stand up for Neil.

More hip than Hornsby, you’d maybe find a closer comparison to Blandford’s dryly tragi-comic narrative in William Sutcliffe’s Are You Experienced though there is a darker thread running through Flying Saucer Rock & Roll than in the work of the other two writers. Definitely worth checking out, especially if you were a teenager in the early nineties, this will have you smiling and feeling both guilt and shame in equal measures.
Out now - published by Jonathan Cape.
LINKS
Richard Blandford - Myspace
SEARCH MONKEYBOXING EMPIRE REVIEWS
MONKEYBOXING.COM (coming soon)

16 August 2008

DEL THE FUNKY HOMOSAPIEN - Leak Pack Vol 1 - Free Downloads


DEL THE FUNKY HOMOSAPIEN - Leak Pack Vol. 1 - Free download

Yo! Del's leaking all over the place as he promises that this 'is the first of many' 'leak packs' that he'll be releasing. You can relax though - it's nothing kinky and nappy-fetish related but a 4 track download instead. Vol 1 features new unreleased tracks by: Del (30 30), Bukue One (Final Clues),Tame One (Anxiety Attacks) and Chip Fu (MC Squared). Here's the download link:

DEL THE FUNKY HOMOSAPIEN - Leak Pack Vol. 1 - Free download

LINKS
Del The Funky Homosapien - Myspace
Bukue One - Myspace
Tame One - Myspace
Chip Fu - Myspace
SEARCH MONKEYBOXING EMPIRE REVIEWS
MONKEYBOXING.COM (coming soon)

12 August 2008

R.I.P. Isaac Hayes 1942-2008


R.I.P. Isaac Hayes 1942-2008
Yeah - so the Chef has gone to the big funk concert in the sky...

Conco​rd Music​ Group​’s state​ment on Isaac​ Hayes​:​

The Stax Recor​ds and Conco​rd Music​ Group​ famil​y lost a great​ frien​d on Sunda​y when soul music​ giant​ Isaac​ Hayes​ died sudde​nly at the age of 65.

To the world​ he was Black​ Moses​,​ Ike The Rippe​r and, later​,​ Chef from TV's South​ Park.​ To the rest of us who had the extra​ordin​ary oppor​tunit​y to work with him in recen​t years​,​ he was just Isaac​.​ He was humbl​e,​ unpre​tenti​ous and refre​shing​ly down-​to-​earth​.​ Not bad for a man who deliv​ered a recor​d-​setti​ng seven​ #1 album​s to the Billb​oard R&B chart​,​ score​d numer​ous award​s (​inclu​ding multi​ple Gramm​ys and 2 Acade​my Award​s)​,​ appea​red in over three​ dozen​ films​ and was named​ a Royal​ King of Ghana​ along​ the way.

In the ‘60s,​ the Covin​gton,​ Tenn.​ nativ​e helpe​d defin​e the Stax Recor​ds sound​,​ co-​writi​ng with David​ Porte​r such hits as “Soul​ Man,​” “Hold​ On (I’m Comin​g)​,​” “B-​A-​B-​Y,​” and “When​ Somet​hing’​s Wrong​ With My Baby”​ for Sam & Dave,​ Carla​ Thoma​s and Johnn​ie Taylo​r,​ among​ other​s.​

He took soul music​ in a new direc​tion with his 1969 album​ Hot Butte​red Soul,​ which​ featu​red expan​sive re-​inter​preta​tions​ of Jimmy​ Webb’​s “By the Time I Get to Phoen​ix” and Bacha​rach and David​’s “Walk​ On By.” The music​’s impac​t was match​ed only by the visua​l impac​t of the recor​d’s cover​,​ which​ featu​red Hayes​’ signa​ture bald head,​ gold chain​s and bare chest​.​

Two years​ later​,​ his “Them​e From Shaft​” explo​ded on the pop and R&B chart​s,​ putti​ng him on the map as an artis​t and icon.​ The rat-​a-​tat of that lone high-​hat,​ that cultu​ral-​shift​ing kick of the wah-​wah pedal​ -- no other​ piece​ of music​ signa​led the true end of the '​60s,​ usher​ing in the gritt​y 1970s​ than Isaac​ Hayes​'​ theme​ from Shaft​.​ The song won him not only a Gramm​y but two Oscar​s,​ for “Best​ Song”​ and “Best​ Score​” in 1972.​ That same year he won a Gramm​y for his doubl​e album​ Black​ Moses​.​ The hits conti​nued for Hayes​ throu​ghout​ the ‘70s.​

In later​ years​,​ Hayes​’ caree​r took some other​ direc​tions​.​ He becam​e the voice​ of Nicke​lodeo​n’s Nick at Nite and later​ the voice​ of Chef in the anima​ted serie​s South​ Park.​ He had a role in the upcom​ing movie​ Soul Men with stars​ Samue​l L. Jacks​on and Berni​e Mac (who also died this past weeke​nd)​.​

In 2007,​ Hayes​ parti​cipat​ed in the Stax Recor​ds 50th Anniv​ersar​y celeb​ratio​n shows​ in Memph​is,​ Austi​n and Los Angel​es.​ Despi​te healt​h probl​ems that slowe​d him down in recen​t years​,​ he conti​nued to tour the world​.​ He had proud​ly retur​ned to Stax Recor​ds,​ both as an artis​t and as an advis​or in plann​ing the react​ivati​on of the impri​nt in 2007 by Conco​rd Music​ Group​.​ Isaac​ was also in the proce​ss of recor​ding a new album​ for Stax.​

To borro​w a phras​e from the man himse​lf,​ he was “one bad mutha​”.​ And throu​gh the music​ he so gener​ously​ left behin​d,​ the world​ will be talki​ng about​ him and more impor​tantl​y liste​ning for lifet​imes to come.​

Conco​rd Music​ Group​ presi​dent and CEO Glen Barro​s state​s,​ “Isaa​c Hayes​ exemp​lifie​d all that is Stax.​ We are all very fortu​nate to have worke​d with a visio​nary who chang​ed music​ in indel​ible and profo​und ways.​ His talen​t was match​ed only by his kindn​ess of spiri​t.​ On behal​f of the entir​e Conco​rd/​Stax famil​y we expre​ss our deep sympa​thies​ to his famil​y,​ frien​ds and fans all over the world​.​”

Gene Rumse​y,​ Conco​rd Music​ Group​ gener​al manag​er added​,​ “The endur​ing influ​ence of Stax Recor​ds could​ only have been made possi​ble throu​gh Isaac​’s brill​iant song-​writi​ng which​ laid the groun​d work for the futur​e gener​ation​s of rap, hip-​hop,​ and soul.​ Isaac​ playe​d a pivot​al role in the recen​t re-​launc​h of Stax,​ once again​ infus​ing the label​ with his creat​ivity​,​ inspi​ring a whole​ new breed​ of Stax artis​ts.​ Our condo​lence​s go out to all the peopl​e whose​ lives​ Isaac​ touch​ed throu​ghout​ his unpar​allel​ed caree​r and lifet​ime.​”

John Burk,​ execu​tive VP and chief​ creat​ive offic​er,​ Conco​rd Music​ Group​ state​s,​ “Isaa​c had a profo​und and multi​facet​ed impac​t on the Stax label​,​ contr​ibuti​ng to it’s legac​y as a write​r,​ produ​cer,​ arran​ger,​ studi​o music​ian,​ A&R execu​tive and, of cours​e,​ one it’s most succe​ssful​ artis​ts.​ Havin​g colla​borat​ed close​ly with Isaac​ durin​g the past few years​,​ I came to know the man behin​d the music​ and his deep love for human​ity.​ He was an extra​ordin​ary indiv​idual​ who used his talen​ts to inspi​re and unite​ peopl​e from all walks​ of life.​ I feel treme​ndous​ly privi​leged​ to have had the oppor​tunit​y to work along​ side this giant​ of a man.”

PARKER – To Eternity – 2008 – Album review


PARKER – To Eternity – 2008 – Album review
HIGHLIGHTS: Western Soul – Sugar Coated - Penny Dreadful - Back To Ourselves
SOUNDBITE: “We do it from the west, you be rockin with the best/ We do it all big, we don’t give nothing less”
RATING: 4/5

Let’s consider the phrase ‘western soul’ for a minute - after all, it’s not just the name of the lead single off this LP. In fact Parker nicked it from his (and, incidentally, Monkeyboxing’s) favourite Bristol club night - the minds behind which coined the phrase itself with it’s echoes of ‘northern soul’ to evoke the melting pot of funk, soul, hip hop and reggae played by Western Soul djs. It’s a gumbo of influences that has been widely associated with Bristol since Massive Attack dropped Blue Lines back in ’91 – a time when they still made tracks at bpms that you could actuallly dance to – like all those Shara Nelson collaborations and especially the daddy of them all - Unfinished Sympathy…And so to the point of this lengthy preamble which is that perhaps, more than anything else, large swathes of To Eternity recall Blue Lines in its combination of bass-heavy hip-hop beats and smooth soul vocals. In fact the name ‘western soul’ almost seems to fit better with any one of these female fronted tracks (or indeed the LP itself) rather than the one to which it is actually applied. The recipe when it works (and it usually does), works extremely well. Sugar Coated is a case in point where mid-tempo breaks, and a big orchestral brass sound fit perfectly wth Scott’s nu-soul delivery or the slightly slower Nothing But The Truth and the piano-led breaks of Back To Ourselves.

On the other hand there is Dig N Swing featuring Laura Collins. I’m not questioning Collins’ ability to sing – there’s no disputing she’s got the skills – more Parker’s stylistic choices which here reek of plastic palm trees and ra-ra skirts. It all seems to have converted Collins to the dark side (or maybe it was the other way round) and she gets in more than a few ‘Ba-ba-Bahs’ in time-honoured jazzy hideousness. In fact, it’s like Sade crossed with Matt Bianco over bigger beats and (to be fair) the only bum note on the whole LP – a track only for very sick individuals and the product of either a very warped mind or a very warped sense of humour.

Elsewhere, intro You Will Return demonstrates Parker’s scratching skills, while Old Time Sermon is a heavy slice of dark instrumentalism that is a dead ringer for Endtroducing-era DJ Shadow. To Eternity itself is another slice of instrumentalism featuring orchestral strings and both this and the beats are reminiscent of something Aim might put out. Penny Dreadful is one of two remaining highlights and its super heavy breaks are based around some horns which manage to reference old-school funky soul while sounding totally up to the minute - the other is recent single Western Soul. Probably the best track on the whole LP, Western Soul is the sort of thing dropped by DJs to bring flagging, sweaty clubbers back up to speed again. Featuring US West Coast rapper Rasco of Cali Agents there’s a kind of West-coast meeting of minds here as party flows are laid on top of a warm bass groove and swirling horns. It’s got ‘summer’ written all over it.

There’s no doubt that To Eternity is the kind of LP that gets referred to as an ‘assured debut’ or something like that. Production is super tight, the styles are varied and there is as much that is aimed at the dancefloor as there is at the coffee-table, plus there are the right number of both 80s and 90s influences – at a time when the 80s revival is in full-swing but the 90s revival is about to make inroads – it is nearly twenty years since Blue Lines after all. I think it’s fair to say that Parker is probably right on the money.
Released 1 September on Rocstar Recordings.
LINKS
Listen to (selected tracks from) Parker – To Eternity
Parker - Myspace
Rocstar Recordings - Myspace
SEARCH MONKEYBOXING EMPIRE REVIEWS
MONKEYBOXING.COM (coming soon)

04 August 2008

PRESS RELEASE: TERMANOLOGY Debut LP Politics As Usual released 30 September 2008


HIP HOP’S RISING STAR, TERMANOLOGY, READIES DEBUT ALBUM BOASTING A DREAM TEAM CAST OF PLATINUM PRODUCERS INCLUDING DJ PREMIER, ALCHEMIST, HAVOC, NOTTZ, BUCKWILD, LARGE PROFESSOR, PETE ROCK, HI-TEK, EASY MO BEE AND GUEST APPEARANCES FROM PRODIGY, BUN B, SHEEK LOUCH, FREEWAY, LIL FAME,

"POLITICS AS USUAL" WILL BE RELEASED SEPTEMBER 30th, 2008 ST RECORDS/NATURE SOUND RECORDS

What the industry is saying about Termanology:

"Term has a unique desire for the culture because he touches the issues that I can relate to as a TRUE HIP-HOP HEAD..his flows are nice, and he stays creative with his subject matter...he even speaks for me and not every new MC comin' up can do that." - DJ Premier

"Termanology puts the MC back in MC'ing, he's a breath of fresh air in this dirty game." - Bun B

"Termanology shows he could be a leader of the new school" - The Source Magazine

New York, NY - Massachusetts -bred; New York-based rapper Termanology has now finished his official debut album Politics As Usual. One of this year's most anticipated albums; it drops September 30th, 2008 through a joint venture between Term’s own ST. Records and Indy powerhouse Nature Sounds. Termanology’s debut merges the best of both worlds for all Hip-Hop fans, as its meshes classic boom-bap production from a virtual who's who list of production royalty; DJ Premier, Hi-Tek, Pete Rock, The Alchemist, Havoc, Buckwild, Nottz and Large Professor all provide tracks, with Term’s lyricism, swagger and bravado.

Growing up in the streets of the post-industrial, predominantly Latino city of Lawrence , MA, the half-white, half-Puerto Rican MC transitioned from silly freestyles at age nine to full-fledged records by 15. Constantly traveling between Boston and New York to pursue his music business dream, Termanology released his first 12-inch in 2002. Through his alliance with influential mixtape DJ (and fellow Massachusetts native) Statik Selektah, Term began earning the respect of Boston 's Hip-Hop scene with several highly acclaimed 12" singles.

At the onset of 2006, Term caught his big break when legendary producer DJ Premier, whom he met three years earlier, finally blessed him with one of his signature, scratch-laden beats. "Watch How It Go Down" instantly became an underground classic and Termanology appeared on Hip-Hop's international radar. The conscious hood anthem garnered the earnest MC tons of praise, landing him in The Source's "Unsigned Hype" and XXL's "Show and Prove" columns.

Since then, Termanology has quickly climbed the industry ranks with his Hood Politics mixtape series and continued collaborations with DJ Premier and other big name producers. Term's hard work resulted in a joint venture deal with Brooklyn-based label Nature Sounds, which he signed in late 2007. "I decided to go the Indy route to have total control of everything related to my project," Term explains.

Nature Sounds is quickly becoming the indy home for classic hip-hop. During the last couple of years the label has released projects by several artists that include hip hop cult icon MF DOOM, Wu-Tang's Masta Killa (Made In Brooklyn), the debut album from Havoc of Mobb Deep (The Kush), most recently, Pete Rock's latest (NY's Finest).

Term has already set things in motion for his debut, Politics As Usual, with the recent leak of the LP’s buzz-single, How We Rock,” which has the Internet buzzing and features Term rocking with two of Hip-Hop’s most beloved individuals, Bun B and DJ Premier (who produced “How We Rock”). Term has also shot a video for “How We Rock” and the video will be released to the masses shortly.

Termanology is available for all interview requests!!

Tracklisting and credits for Termanology’s “Politics As Usual”:

1.) Its Time (Produced by Easy Mo Bee)
2.) Watch How It Go Down (Produced by DJ Premier)
3.) Respect My Walk (Produced by Buckwild)
4.) Hood Shit f/ Prodigy of Mobb Deep (Produced by The Alchemist)
5.) Float (Produced by Nottz)
6.) Please Don't Go (Produced by Nottz)
7.) How We Rock f/ Bun B of UGK (Produced by DJ Premier)
8.) Drugs Crime & Gorillaz f/ Sheek Louch & Freeway (Produced by Nottz)
9.) In The Streets f/Lil Fame of M.O.P. (produced by Hi-Tek)
10.) So Amazing (Produced by DJ Premier)
11.) Sorry I Lied (Produced by Large Professor)
12.) We Killin Ourselves (Produced by Pete Rock)
13.) The Chosen (Resurrecting The Game) (Produced by Havoc)

LINKS
Termanology - Myspace

NEWS: THE MIGHTY UNDERDOGS Free Downloads/ Dropping Science Fiction LP due 14 October 2008/ Gunfight video


NEWS: THE MIGHTY UNDERDOGS Free Downloads/ Dropping Science Fiction LP due 14 October 2008/ Gunfight video
Still ticking off which original Solesides/ Quannum members he’s going to release an LP with who aren’t Lyrics Born, rapper Lateef The Truthspeaker has hooked up with Gift Of Gab from Blackalicious and roped in Headnodic from Crown City Rockers to produce. Those who know Quannum will know the deal musically already – heavy and heavily funk-inflected breaks with Headnodic’s production doing a pretty good impression of Chief Xcel’s finer moments - as in not his most recent ones. The Prelude EP came out late last year and a full length LP Dropping Science Fiction is due on October 14th which will feature DJ Shadow, Mr Lif, Akrobatik, Tash (Alkaholiks), Chali 2na and Marley brothers Julian and Damian. Check the Underdogs’ myspace link below for two free downloads (The Anthem from the forthcoming LP and Gunfight feat. MF Doom from the EP) - and check the video of Gunfight featuring MF Doom. It all sounds promising enough to take away the bland taste of Gift of Gab’s last LP anyway.
LINKS

The Mighty Underdogs - Myspace
Lateef - Myspace
Gift of Gab - Myspace
Headnodic - Myspace
SEARCH MONKEYBOXING EMPIRE REVIEWS
MONKEYBOXING.COM (coming soon)

01 August 2008

MONKEYBOXING BUZZ CHART - AUG. 08

Sounds you hear that linger in your ear...




1. (NEW) Cool Kids – Full & Paid – That’s Stupid Mixtape EP (Chocolate Industries)
Chuck n Mikey give a nod to legends Eric B and Rakim in this fat roller.
Listen/ free download



2. (NEW) Hint feat. Rizzle – Muddled Morning – Driven From Distraction LP (Tru Thoughts)
Kid wonder Rizzle rocks it over a dancehall influenced banger from Hint. Well rude!
Listen
3. (1) New Mastersounds – Thermal Bad - Plug & Play LP (One Note)
Super-nasty uptempo wah-wah mod-funk. The bomb. No messin.
Listen - Read review
4. (NEW) G Love & Special Sauce – Soft and Sweet – Superhero Brother LP (Universal Republic)
Bummed out by shit? Check this funky feel-good blues groove.
Listen - Read review
5. (NEW) Parker – Western Soul – To Eternity LP (Rocstar Recordings)
Rasco battles the horns all the way to the end of this summer bomb.
Listen - Read review
6. (NEW) Kylie Auldist – Gotsta Get Me Some – Just Say LP (Tru Thoughts)
Funky soul, served rare.
Listen
7. (NEW) Cenobites – Hawaii - Demented Thoughts EP (One Leg Up Records)
Long-lost dope verse re-surfaces in ultra-limited vinyl resurrection.
Listen
8. (NEW) Stephanie McKay – Say What You Feel – Tell It Like It Is (Universal Republic)
Bronx funk sister on a Betty Davis tip.
Listen
9. (NEW) Surfin Turnips – Cider Commando
Bristol’s scrumpy-junkie answer to Bad Brains don’t do subtle. They do P.U.N.K.
Listen/ Free download - Watch video
10. (NEW) Para – It's The Hornet – Single (Breakin Bread)
One for the B-Boys - funky floor-filling scratchin’ breaknology.
Listen
PREVIOUS CHARTS
Jul 2008 chart
Jun 2008 chart
May 2008 chart
Apr. 2008 chart
Mar. 2008 chart
Feb. 2008 chart
Jan. 2008 chart
MONKEYBOXING EMPIRE Top ten 2007 albums chart
MONKEYBOXING EMPIRE Top ten 2007 tracks chart
Nov. 2007 chart
Oct. 2007 chart
Sept. 2007 chart
Aug. 2007 chart
MONKEYBOXING EMPIRE Top ten 2006 albums chart